In the tradition in context to tragic heroes like “Oedipus Rex, Willie Lomon and Marcus Brutus,” the Fence by “August Wilson” resembles a character Troy Maxson who represents himself as a dignified man is bothered by the tragic flaw subjects that brings him to the brink of destruction. “Troy's Hamartia” is his stubbornness, his selfishness. In context to his life events and life’s philosophy that instigates him to lead his life in his small planet as well as sees those people associated with him, they are rotating around his life. The time when he wrecks the opportunity to win a scholarship associated with the game of soccer to Corey because as per his thought white people would not allow his son to play. On the other hand, the world surrounding him changed, and Troy persistently turns down any obligation meant to believe. It should rather be prominent that “Troy Maxson” is no villain. His actions and speeches in context to the story may seem to be cruel and at the same time captivating, but he at the same time possesses admirable as well as desirable qualities. Troy Maxson as a character is decisively committed to his responsibilities in front of his family as in the form of a passionate provider. He is seen to be funny and at the same time mesmerizing while he listens to the stories. There are people under his strict exterior who care for his family other than that they never erudite the exact way to prove it (Wilson).
“Troy Maxson” has altered internally without love and attention into a lonely man from being an attention-grabbing person both in his family and society. Troy Maxson attempts to live his life, by involving himself in the essence of life and fight death by self-believing many times. When Troy began to face their discriminatory treatment of his employees, he confessed that he fears not ‘death’ and was keeping a secret, which allows him eventually to get out of his relationship with Alberta, to his family members and friend Bono (Nadel).
Troy is respected by his son Corey, and Troy feels better and bigger whilst Corey teases his brother Leon. Shown on three Friday walks, Troy quickly descends into a life of loneliness, friendship, and lack of love when his fears, anger, and secrecy become better than his own, this let Troy change the lives of his loved ones resulting to lose respect (Wilson).
In some ways, Troy had no control over frustration. The rise of Troy's suspicions is the result of a life of despair and the hardships he endured while supporting himself and his family. Troy's death brings him back to his actions, a combination of racist society and destruction. Troy was born into a poor family with an important, but the only hardworking father as a caretaker. He had no assets when he left his father's house and went to prison for petty crimes to survive. In prison, Troy learned baseball and discovered that he could play as one of the best hitters to run homeran in the Black Leagues.
When they work on a rose ride together the initial hit toward the father-son relationship in Troy and Corey’s comes in. It was not due to a physical conflict but created an exceptional difference in between them. After the football seasons, the job of security at A&P was taken-care of by Cory as well as avail good school grades all of these actions of responsibility remain unseen by Troy. Instead, Troy was instrumental in seeing the things that do not match his life’s outlook. The moment of his conversation with the tree with the hypocrisy of Troy becomes clear when they build the fence (Shannon 36).
Another duality is the hypocrisy of Troy. Troy says that while loved ones live practical and responsible lives and their owners rebel against racist behavior, black workers have the freedom of their relationship by protesting against bans as drivers, not as garbage trucks. Troy refused to see life in any of the ways he presented it, but the way he understood the facts in his head.
Consequently, Troy's experience, of being a man who insists on protecting him and his family from the harsh reality of the world, even if he was involved in some way (or not) could not help but ruin his own life. He understands his wild irrationality as a way to escape from his hands or as a solution. This inner contradiction - which the people around him may feel like hypocrisy - manifests itself in different ways. For example, in Trojan's professions “music and baseball, respectively”, whose sons “Lyons and Corey” are each interested in, they have seen nothing practical. All together, Troy's relationship with Alberta suggests that he wants to be completely satisfied with something that is not based on practicality, which is detached from his family's needs (Shannon 36). For whites only when renting for land for tea, expresses a progressive vision of the potential of nations that reflects its potential.
Futures associated with racial relations are looked upon by the boys. However, particular in the case of Corey, he considers such a possibility impractical (for instance, he thinks in his word "I can never succeed in professional football because black players are indigent”). Troy's internal conflicts have given him a startling twist on his past realities, as he seems capable of playing, such as telling fictional stories about his struggles with individual death (the timeless cut or the devil). These Trojan fantasies have pushed himself towards involuntary self-defense supporting imaginations and let him rely on fictional constructions. This is the context of the paper implies that his past failures and misfortunes pushed for a considerate yet continuous and constant realization of his real past. However, while “August Wilson” concurringly highlights the contradictory hypocrisy at the base of Troy's character, he probably does not personally condemn Troy. In contrast, “Wilson” shows how Troy produces himself as a “historical racist” beyond his control; He showed “how Troy is a way to reproduce and empower a new generation with these abilities” (Herren).
Troy Maxson is a universal character. Although his life was determined by the description of the African American experience in the early twentieth century, his failures as a human being and his small steps apply to everyone. Wilson skillfully created a character who is flawed and recognized as a hero, thanks to his responsibility to his family and his inability to meet his high expectations. His struggles with his sons echoed various ethnic and cultural aspects as a universal human experience.
Herren, Graley. "Stage Review of Fences." August Wilson Journal 1 (2019).
Nadel, Alan. "Reading August Wilson's Character and His Characters: A Suggestive Introduction." August Wilson Journal 1 (2019).
Shannon, Sandra G. "August Wilson and his critics." The Routledge Companion to African American Theatre and Performance (2018): 36.
Wilson, August, and Seret Scott. Fences. Spark Publishing/SparkNotes LLC, a division of Barnes & Noble, 2014.
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